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121 Stern, Gerald--Adam Szyper, Translator Underground Dancing / Podziemny taniec
New York, USA/Krakow, Poland Cross-Cultural Communications / Wydawnictwo Baran I Suszczynski 1999 0-89304-366-4 / 9780893043667 New Paperback New Poetry 4 1/2x6 1/2, 128 pp Sheba Sharrow 
Winner of the 1998 National Book Award: Gerald Stern's poetry is of dark rapture. He hails bedraggled animals and leaves, elevates events that do not in themselves achieve high drama, and transforms misery into celebration. His largeness is subtle, for in his small commonplace subjects--the rooster, the squirrel, the shirt--one finds traces of the century's major events. 
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122 Stern, Gerald--Adam Szyper, Translator Underground Dancing / Podziemny taniec
New York, USA/Krakow, Poland Cross-Cultural Communications / Wydawnictwo Baran I Suszczynski 1999 0-89304-365-6 / 9780893043650 New Hardcover New Poetry 4 3/4x6 5/8, 128 pp Sheba Sharrow 
Winner of the 1998 National Book Award: Gerald Stern's poetry is of dark rapture. He hails bedraggled animals and leaves, elevates events that do not in themselves achieve high drama, and transforms misery into celebration. His largeness is subtle, for in his small commonplace subjects--the rooster, the squirrel, the shirt--one finds traces of the century's major events. 
Price: 30.00 USD
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123 Stern, Gerald--Adam Szyper, Translator Underground Dancing / Podziemny taniec
New York, USA/Krakow, Poland Cross-Cultural Communications / Wydawnictwo Baran I Suszczynski 1999 0-89304-367-2 / 9780893043674 New Limited New Poetry 4 3/4x6 5/8, 128 pp Sheba Sharrow 
Winner of the 1998 National Book Award: Gerald Stern's poetry is of dark rapture. He hails bedraggled animals and leaves, elevates events that do not in themselves achieve high drama, and transforms misery into celebration. His largeness is subtle, for in his small commonplace subjects--the rooster, the squirrel, the shirt--one finds traces of the century's major events. 
Price: 50.00 USD
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The Shy Hand of a Jew:  Poems by Maurycy (Mosze) Szymel, Szymel, Maurycy (Mosze)  Translated from the Polish by Aniela & Jerzy Gregorek
124 Szymel, Maurycy (Mosze) Translated from the Polish by Aniela & Jerzy Gregorek The Shy Hand of a Jew: Poems by Maurycy (Mosze) Szymel
Merrick, New York, USA Cross-Cultural Communications 2013 0982403852 / 9780982403853 First Paperback New Bilingual Poetry 6 x 9 Cover image by Eugenia Prokop-Janiec Heartfelt thanks to the NEA
Szymel's poetry revolves around the relationship between Jews and Poles, as well as other aspects of his life as a Jew living in Poland. He reveals a strong feeling of connection to Poland and often relies on the color an scent of its landscape and countryside. In "Poland" (1934, he writes; . . . gray, peasant horse how does my love appear to you when I caress your warm, sweaty head with a shivering hand, the shy hand of a Jew? --from the Introduction What is poetry, if not the rendering of a world? How grateful I am, then, to the Gregoreks for giving us the world as Mosze Szymel knew it, with the perspicacity of his eye and the fondness of his heart intact. This is no small gift, for the world found in these poems was wiped from the face of the earth, their creator murdered at the age of thirty-six. In reading this work, I found myself thinking that had Chagall had been a poet, he would have written these poems. --Peter Levitt 
Price: 19.95 USD
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125 Szyper, Adam And Suddenly Spring
Merrick, NY/USA Cross-Cultural Communications 1992 0-89304-860-7 / 9780893048600 New Paperback New Poetry 5 1/2x8 1/2, 48 pp Janusz Kapusta 
Poetry in Polish & English by a Holocaust survivor with an optimistic view of the world. The author's latest book in Polish won the Best Book of Poetry/2001 in Poland. 
Price: 7.50 USD
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126 Szyper, Adam And Suddenly Spring
Merrick, NY/USA Cross-Cultural Communications 1992 0-89304-859-3 / 9780893048594 New Hardcover New Poetry 5 5/8x8 3/4, 48 pp Janusz Kapusta 
Poetry in Polish & English by a Holocaust survivor with an optimistic view of the world. The author's latest book in Polish won the Best Book of Poetry/2001 in Poland. 
Price: 15.00 USD
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127 Szyper, Adam And Suddenly Spring
Merrick, NY/USA Cross-Cultural Communications 1992 0-89304-862-3 / 9780893048624 New Minipaperback New Poetry 2 3/4x4 1/4, 48 pp Janusz Kapusta 
Poetry in Polish & English by a Holocaust survivor with an optimistic view of the world. The author's latest book in Polish won the Best Book of Poetry/2001 in Poland. 
Price: 5.00 USD
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128 Taylor, Henry--Vladimir Levchev, Translator Understanding Fiction
Sofia, Bulgaria/New York, USA Bulgarian-American cultural Society ALEK0/Ango Boyanov/Cross-Cultural Communications 2002 0-89304-681-7 / 9780893046811 New Paperback New Poetry 4 1/2x 6 1/2, 56 pp 
I've loved Henry Taylor, man and boy, for nearly thirty years. Graceful in motion, disciplined in form and thought, clear-eyed and generous in spirit: the poems, the person? Indivisible! --From Critical Praise, Carolyn Kizer 
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129 Taylor, Henry--Vladimir Levchev, Translator Understanding Fiction
Sofia, Bulgaria/New York, USA Bulgarian-American cultural Society ALEK0/Ango Boyanov/Cross-Cultural Communications 2002 0-89304-680-9 / 9780893046804 New Hardcover New Poetry 4 3/4x6 5/8, 56 pp 
I've loved Henry Taylor, man and boy, for nearly thirty years. Graceful in motion, disciplined in form and thought, clear-eyed and generous in spirit: the poems, the person? Indivisible! --From Critical Praise, Carolyn Kizer 
Price: 25.00 USD
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130 Taylor, Henry--Vladimir Levchev, Translator Understanding Fiction
Sofia, Bulgaria/New York, USA Bulgarian-American cultural Society ALEK0/Ango Boyanov/Cross-Cultural Communications 2002 0-89304-682-5 / 9780893046828 New Limited New Poetry 4 3/4x6 5/8, 56 pp 
I've loved Henry Taylor, man and boy, for nearly thirty years. Graceful in motion, disciplined in form and thought, clear-eyed and generous in spirit: the poems, the person? Indivisible! --From Critical Praise, Carolyn Kizer 
Price: 50.00 USD
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The Colour of Saying: A Creative Writing Competition in Celebration of Dylan Thomas Anthology, Thabit Jones, Peter &  Barkan, Stanley H.
131 Thabit Jones, Peter & Barkan, Stanley H. The Colour of Saying: A Creative Writing Competition in Celebration of Dylan Thomas Anthology
Merrick, New York, USA & Swansea, Wales, UK Cross-Cultural Communications & The Seventh Quarry Press 2014 089304928X / 9780893049287 First Paperback New Poetry 5 3/4 x 8 1/4 Back Cover: Carolyn Mary Kleefeld 
Organised by Anne Pelleschi and Peter Thabit Jones, in a collaboration with Stanley H. Barkan of Cross-Cultural Communications, New York, the aim of the competition was to encourage original and new pieces of creative writing to be based on Dylan Thomas’s poem ‘The Hunchback in the Park’. Responses to the poem ‘The Hunchback in the Park’ could be in poetry, prose-poem, prose, diary form, and letter form. We were particularly keen to encourage everyone, from children to those in their final years, including trauma or war victims, prisoners, abused wives or husbands, immigrants or refugees to a new country who do not speak the host country’s language. The categories were: 10 – 12 years of age at time of submission entry 13 – 16 years of age at time of submission entry 17 – 20 years of age at time of submission entry 21 – 24 years of age at time of submission entry 25 years of age and over at time of submission entry The judges of the English-language entries were: Peter Thabit Jones and Anne Pelleschi of Wales; Hannah Ellis of England (Dylan’s granddaughter); Stanley H. Barkan, Carolyn Mary Kleefeld, Maria Mazziotti Gillan, and John Dotson of America; Welsh language: Jim Jones (Jim Parc Nest, Archdruid of the Bards); with other-language judges chosen by Stanley H. Barkan and Peter Thabit Jones. As with most competitions, we received many poems that did not stick to the rules and, in our case, did not take ‘The Hunchback in the Park’ as their inspiration. They were about subjects that could not justify their being judged in any way. We also did not receive any entries for the ‘21-24 years of age category’ that were suitable for the anthology. This anthology has attempted to sift the best of those many poems that did tackle the subject. We hope you enjoy reading them. The remainder of the submissions that tackled the subject but did not make the anthology will appear in phases on www.dylandowntheups.org.uk, which will be organised by Anne Pelleschi. Our thanks to all of you who entered the competition. 
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132 Vroman, Leo Love, Greatly Enlarged
Merrick, New Yor, USA Cross-Cultural Communications 1992 0-89304-126-2 / 9780893041267 First Paperback New Poetry 5 1/2x8 1/2" Cover and text art by Leo Vroman 
A bilingual (Dutch-English) scientiifc epic love poem by Holland's leading poet / artist / scientist. "Leo Vroman is that increasingly rare phenomenon in our time: a happy man. As the French author Coletee said: 'It take a kind of genius to be happy.' There are then three reasons to attribute genius to Vroman: first, as biomaterial sceintist, author of BLOOD and othr scientific treatises; secon, as poet, author of more than forty volumes of verse, prose, and drawing; and third, as happy man. 'Enjoying life is all I do all day, / but for this life there's no possible cure. / Today master, tomorrow manure, / for so it goes, and that is quite OK.' —Tr. C. N. W. How much of his acceptance of the generative and degenerative process, this enjoyment of every phase of it is the result of his lengendary love for "Tineke" (née Georgine Sanders), his wife, must remain a speculation. Born in Gouda, The Netherlands, in 1915, he studied biology at the University of Utrecht, escaped from the country when the Nazis took over, and became a soldier in Indonesia, where he was promptly imprisoned by the Japanese. On his way home, after the war, he passed through New York and has been a resident for most of the past 40 years. They live a rather isolated life in Brooklyn, speaking Dutch with each other, working in English, and writing in both languages. Vroman recently retired as a research career scientist at the Brooklyn Veteran's Hospital but continues his blood research as a member of the Department of Chemical Engineering at Columbia University. Visits to Holland, where he has collected almost every possible literary prize, are frequent, but he is known for a quip that has become almost a Dutch motto in a nation of restless travelers. 'Better homesick than Holland!' he seems to thrive in the compartive anonymity of the United States, where, in the end, one is lonelier but freer. His frequently rhyming poetry is both playful and philosophical, and draws on the biological for its point of view. His description of an autopsy, for instance, in which he describes emptying the corpse of a young woman with almost gleeful delight, may be hard for the layman to follow. And yet, in his 1968 introduction to BLOOD, the biological point of view opens up vistas of great lyricism: 'The last jungles in the world seem to withdraw almost eagerly from advancing man. The forests drain themselves of beasts and flatten into meadows, the meadows are turned into suburbs and the suburbs are swallowed by cities. The only thriving wildlife still barely touched by man is the hot, confusing and poorly lit world within himself. . . . The strangely shaped glands and bones, the transparent lungs, the madly dense tangle of cells in the brain hold worlds within worlds; and through it all and always, streams the blood.' In 'Beyond Progress,' a rcent address he gave to The Netherlands Cancer Institute, he says: 'The speed with which our understanding of everything and life itself progresses is amazing. Our knowledge grows and changes as fast as the reeling shadow of someone passing a street lamp in the night. . . . In the life span between birth and death I see only one duty, to try and understand something about the incrdible reality in which we live.' For Vroman, biology is the basis for a holistic vision of life. Everything is connected with something else. In the greatest chaos, order can be discovered, and love functions in this as the epoxy. This epiphanous theme is particularly evident in his recent work, especially in LOVE, GREATLY ENLARGED." —From the 1992 Foreword, originally the Introudction to the "Dutch Poets: Leo Vroman and Georgine Sanders" event at the Dag Hammarkjöld Auditorium on November 20, 1990, as part of the Reading Series at the United Nations in New York [hosted by Cross-Cultural Communications] by Claire Nicolas White Note: Leo and Tineke currently live in Ft. Worth, Texas. 
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133 Vroman, Leo Love, Greatly Enlarged
Merrick, New York, USA Cross-Cultural Communications 1992 0893041254 / 9780893041250 First Hard cover New Poetry & Art 5 3/4x8 3/4 Cover and complementary text art by Leo Vroman 
A bilingual (Dutch-English) scientiifc epic love poem by Holland's leading poet / artist / scientist. "Leo Vroman is that increasingly rare phenomenon in our time: a happy man. As the French author Coletee said: 'It take a kind of genius to be happy.' There are then three reasons to attribute genius to Vroman: first, as biomaterial sceintist, author of BLOOD and othr scientific treatises; secon, as poet, author of more than forty volumes of verse, prose, and drawing; and third, as happy man. 'Enjoying life is all I do all day, / but for this life there's no possible cure. / Today master, tomorrow manure, / for so it goes, and that is quite OK.' —Tr. C. N. W. How much of his acceptance of the generative and degenerative process, this enjoyment of every phase of it is the result of his lengendary love for "Tineke" (née Georgine Sanders), his wife, must remain a speculation. Born in Gouda, The Netherlands, in 1915, he studied biology at the University of Utrecht, escaped from the country when the Nazis took over, and became a soldier in Indonesia, where he was promptly imprisoned by the Japanese. On his way home, after the war, he passed through New York and has been a resident for most of the past 40 years. They live a rather isolated life in Brooklyn, speaking Dutch with each other, working in English, and writing in both languages. Vroman recently retired as a research career scientist at the Brooklyn Veteran's Hospital but continues his blood research as a member of the Department of Chemical Engineering at Columbia University. Visits to Holland, where he has collected almost every possible literary prize, are frequent, but he is known for a quip that has become almost a Dutch motto in a nation of restless travelers. 'Better homesick than Holland!' he seems to thrive in the compartive anonymity of the United States, where, in the end, one is lonelier but freer. His frequently rhyming poetry is both playful and philosophical, and draws on the biological for its point of view. His description of an autopsy, for instance, in which he describes emptying the corpse of a young woman with almost gleeful delight, may be hard for the layman to follow. And yet, in his 1968 introduction to BLOOD, the biological point of view opens up vistas of great lyricism: 'The last jungles in the world seem to withdraw almost eagerly from advancing man. The forests drain themselves of beasts and flatten into meadows, the meadows are turned into suburbs and the suburbs are swallowed by cities. The only thriving wildlife still barely touched by man is the hot, confusing and poorly lit world within himself. . . . The strangely shaped glands and bones, the transparent lungs, the madly dense tangle of cells in the brain hold worlds within worlds; and through it all and always, streams the blood.' In 'Beyond Progress,' a rcent address he gave to The Netherlands Cancer Institute, he says: 'The speed with which our understanding of everything and life itself progresses is amazing. Our knowledge grows and changes as fast as the reeling shadow of someone passing a street lamp in the night. . . . In the life span between birth and death I see only one duty, to try and understand something about the incrdible reality in which we live.' For Vroman, biology is the basis for a holistic vision of life. Everything is connected with something else. In the greatest chaos, order can be discovered, and love functions in this as the epoxy. This epiphanous theme is particularly evident in his recent work, especially in LOVE, GREATLY ENLARGED." —From the 1992 Foreword, originally the Introudction to the "Dutch Poets: Leo Vroman and Georgine Sanders" event at the Dag Hammarkjöld Auditorium on November 20, 1990, as part of the Reading Series at the United Nations in New York [hosted by Cross-Cultural Communications] by Claire Nicolas White Note: Leo and Tineke currently live in Ft. Worth, Texas. 
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134 Vroman, Leo Love, Greatly Enlarged
Merrick, New York, USA Cross-Cultural Communications 1992 0893041270 / 9780893041274 First Hard cover Ltd Signed & Lettered New Poetry & Art 5 3/4x8 3/4 Cover and complemntary text art by Leo Vroman 
A bilingual (Dutch-English) scientiifc epic love poem by Holland's leading poet / artist / scientist. "Leo Vroman is that increasingly rare phenomenon in our time: a happy man. As the French author Coletee said: 'It take a kind of genius to be happy.' There are then three reasons to attribute genius to Vroman: first, as biomaterial sceintist, author of BLOOD and othr scientific treatises; secon, as poet, author of more than forty volumes of verse, prose, and drawing; and third, as happy man. 'Enjoying life is all I do all day, / but for this life there's no possible cure. / Today master, tomorrow manure, / for so it goes, and that is quite OK.' —Tr. C. N. W. How much of his acceptance of the generative and degenerative process, this enjoyment of every phase of it is the result of his lengendary love for "Tineke" (née Georgine Sanders), his wife, must remain a speculation. Born in Gouda, The Netherlands, in 1915, he studied biology at the University of Utrecht, escaped from the country when the Nazis took over, and became a soldier in Indonesia, where he was promptly imprisoned by the Japanese. On his way home, after the war, he passed through New York and has been a resident for most of the past 40 years. They live a rather isolated life in Brooklyn, speaking Dutch with each other, working in English, and writing in both languages. Vroman recently retired as a research career scientist at the Brooklyn Veteran's Hospital but continues his blood research as a member of the Department of Chemical Engineering at Columbia University. Visits to Holland, where he has collected almost every possible literary prize, are frequent, but he is known for a quip that has become almost a Dutch motto in a nation of restless travelers. 'Better homesick than Holland!' he seems to thrive in the compartive anonymity of the United States, where, in the end, one is lonelier but freer. His frequently rhyming poetry is both playful and philosophical, and draws on the biological for its point of view. His description of an autopsy, for instance, in which he describes emptying the corpse of a young woman with almost gleeful delight, may be hard for the layman to follow. And yet, in his 1968 introduction to BLOOD, the biological point of view opens up vistas of great lyricism: 'The last jungles in the world seem to withdraw almost eagerly from advancing man. The forests drain themselves of beasts and flatten into meadows, the meadows are turned into suburbs and the suburbs are swallowed by cities. The only thriving wildlife still barely touched by man is the hot, confusing and poorly lit world within himself. . . . The strangely shaped glands and bones, the transparent lungs, the madly dense tangle of cells in the brain hold worlds within worlds; and through it all and always, streams the blood.' In 'Beyond Progress,' a rcent address he gave to The Netherlands Cancer Institute, he says: 'The speed with which our understanding of everything and life itself progresses is amazing. Our knowledge grows and changes as fast as the reeling shadow of someone passing a street lamp in the night. . . . In the life span between birth and death I see only one duty, to try and understand something about the incrdible reality in which we live.' For Vroman, biology is the basis for a holistic vision of life. Everything is connected with something else. In the greatest chaos, order can be discovered, and love functions in this as the epoxy. This epiphanous theme is particularly evident in his recent work, especially in LOVE, GREATLY ENLARGED." —From the 1992 Foreword, originally the Introudction to the "Dutch Poets: Leo Vroman and Georgine Sanders" event at the Dag Hammarkjöld Auditorium on November 20, 1990, as part of the Reading Series at the United Nations in New York [hosted by Cross-Cultural Communications] by Claire Nicolas White Note: Leo and Tineke currently live in Ft. Worth, Texas. 
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135 Vroman, Leo, author-artist Flight 800 / Vlucht 800
Merrick, New York, USA Cross-Cultural Communications 1997 0893041882 / 9780893041885 First / Limited Signed & Numbered Paperback Sewn New Poetry & Art 6 x 9 1/4 Leo Vroman In Memoriam to the victims of the tragedy
A poetic-scientific, bilingual (Dutch-English) mini-epic depicting the tragedy of Flight 800 by Holland's leading poet, artist, scientist, currently living in Ft. Worth, Texas: "Better homesick than Holland." Leo Vroman was born in 1915, in Gouda, and studied biology in Utrecht, the Netherlands, where he met Georgine Sanders ("Tineke") who had come from Indonesia to study medicine. He escaped to England when his country surrendered to Germany in 1940, went to Indonesia where he finished his studies, published cartoon strips, and was a POW in Indonesia and Japan. Liberated in 1945, he came to the United States, started his research on blood coagulation and platelet function in New Brunswick, New Jersey, was joined by Tineke and married her in 1947. They have two daughters. Vroman continued his research, first in Mt. Sinai Hospital, New York City, then at the V.A. Medical Center in Brooklyn, and finally at Columbia University in New York. In 1997, hving lived in Brooklyn for 36 years, the couple moved to Ft. Worth, Texas. Apart from his scientific work and cartoon strips, he had (by 1997) published 36 volumes of poetry, including the present volume and to other bilingual ones (both published by Cross-Cultural Communications), and about 15 volumes of prose. He received awards for both his scientific work in the U.S. and for his poetry in the Netherlands, among others the National Poetry Award in 1965, silver medal from the Royal Academy of Sciences, and in 1996 the VSB Award. 
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136 Vroman, Leo--Poet-Artist Mrs. Kennedy
Merrick, New York, USA Cross-Cultural Communications 1990 0-89304-190-4 / 9780893041908 First Paper sewn Ltd Signed & Numbered New Poetry & Art 2 3/4x4 3/4 Leo Vroman In Memoriam JOHN FITZGERALD KENNEDY (1917-1963)
A bilingual (Dutch-English) paean to the widow of JFK, Mrs. Kennedy--Jacqueline Bouvier Kennedy Onassis--written in Dutch the week of the assassination and translated into English 25 years later by Holland's leading poet/artist/scientist. 
Price: 25.00 USD
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137 Wolak, Bill & Karimi-Hakak, Mahmood Love Emergencies: Poems in English and Persian
Merrick, New York, USA Cross-Cultural Communications 2010 0893044806 / 978-0-89304-480-0 First Hard Cover New Poetry 6x9 Stefan Jamiokowski 
"'Love Emergencies' evolved as an experiment in translation in which we sought to communicate our most intimate thoughts and feelings across language and culture without footnotes. . . . Although sealed in language on the page, these poems are seldom content to yield to their own limitations. Instead, they are always straining to reach beyond language into the turmoil of actual experience, where, as in a real emergency, when everything is at stake, language gets left behind and the body takes over—waving goodbye, touching a hand, opening into an embrace." —Bill Wolak & Mahmood Karimi-Hakak 
Price: 40.00 USD
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138 Wolak, Bill & Karimi-Hakak, Mahmood Love Emergencies: Poems in English and Persian
Merrick, New York, USA Cross-Cultural Communications 2010 0893044814 / 978-0-89304-481-7 First Paperback New Poetry 6x9 Stefan Jamiolkowski 
"'Love Emergencies' evolved as an experiment in translation in which we sought to communicate our most intimate thoughts and feelings across language and culture without footnotes. . . . Although sealed in language on the page, these poems are seldom content to yield to their own limitations. Instead, they are always straining to reach beyond language into the turmoil of actual experience, where, as in a real emergency, when everything is at stake, language gets left behind and the body takes over—waving goodbye, touching a hand, opening into an embrace." —Bill Wolak & Mahmood Karimi-Hakak 
Price: 20.00 USD
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In the Silence Between Love Songs / In der Stille zwischen Liebesliedern, Wolak, Bill &  Kofler, Silvia
139 Wolak, Bill & Kofler, Silvia In the Silence Between Love Songs / In der Stille zwischen Liebesliedern
Oyster Bay & Merrick, Long Island, New York The Feral Press & Cross-Cultural Communications 2016 0893042870 / 9780893042875 First Hardcover New Bilingual Poetry 6 3/4 x 8 3/4 John Digby for Maria
A bilingual (English-German) poetry collection by poet, translator, educator, Bill Wolak, translated into the German by ALTA member, Silvia Kofler. 
Price: 25.00 USD
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In the Silence Between Love Songs / In der Stille zwischen Liebesliedern, Wolak, Bill &  Kofler, Silvia
140 Wolak, Bill & Kofler, Silvia In the Silence Between Love Songs / In der Stille zwischen Liebesliedern
Oyster Bay & Merrick, Long Island, New York The Feral Press & Cross-Cultural Communications 2016 0893042889 / 9780893042882 First Paperback New Bilingual Poetry 6 x 8 1/2 John Digby for Maria
A bilingual (English-German) poetry collection by poet-translator-educator Bill Wolak and ALTA member translator Silvia Kofler. 
Price: 15.00 USD
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